The first lecture of the 2024 season was given by Ewen who has lived in the village for 20 years, after a long career in the army. He is very involved in Village life and is a guide at the Priory. He had found it difficult to explain the different stages of the development of the Priory as it had spanned 400 years and so had worked with David Coward to create computer models for each stage to illustrate what the building might have looked like. His talk, using the computer images, described each stage of the development and alterations of the building and he also used sketches, drawings and photographs to illustrate some of the points.
The models were based on a little bit of fact and information from other Augustinian Priories that had more surviving buildings than Cartmel. No plans or records of Cartmel have survived as they were all destroyed at the Dissolution of the Monasteries in 1535. A sketch drawn in 1727 looked very much like what the Priory looks like today. Another sketch dated 1888 by a Victorian artist imagined what it would have looked like originally. Local resident and author John Dickinson, in the 1980s, had produced a plan of the site as he thought it might have been. English Heritage had produced plans based on the layout of other Priory Buildings.
In 1187 William Marshall received the grant of Cartmel, a large royal estate (28,747 acres) in Lancashire. He married the orphaned daughter of the Earl of Pembroke in 1189. She was a wealthy woman and owned many acres of land and he had been her guardian. To celebrate his marriage and good fortune he gave his land at Cartmel to monks to found a priory and soon after building work started. It was standard custom to start building at the east end, as that was where prayer took place, at the chancel. Then the choirs were built on either side. Parish services were held in the Town Choir. The North-South Transept also was built but work stopped between 20 and 30 years after it had started. Was it because William Marshall died (in 1219) and money was no longer available? Walls to enclose it and give the monks privacy had been built.
David created a computer model of this building showing 5 round topped Romanesque arches but during this period the style changed to the more efficient transitional style. In the north transept the outline of four of the original lancet windows can be seen. The fifth one is still in use in the side wall, but the glass has been replaced. There was no nave at this time. The stonework of this end of the Priory is of a fine quality.
The nave was built possibly 100 to 150 years later but its rubble finish was much rougher and of a poorer quality than the original part. A Victorian picture of 1840, prior to improvements, show that these walls were rendered and whitewashed, thus hiding the poorer finish.
Because of Scottish raids in the area in 1322 and 1326 a Gatehouse or Piel Tower was built in 1330.
In about 1350 the Harringtons enlarged the Town Choir. Their tomb was moved but there is no information about when or why that took place. In 1390 the Priory was described in a Papal Bull as ruinous. Between 1400 and 1440 the cloisters which had been built on the customary south side had to be demolished because they had subsided and were falling down, having been built on marshy land. The new cloisters were relocated, unusually, on the north side where the land was firmer and able to support the weight.
In 1420 the large east window (second largest in UK after York) was installed in place of 6 lancet windows. This replacement window, in Perpendicular style, is very similar to the larger one at York Minster and was not built of locally quarried stone but of York stone, suggesting that York craftsmen built it. A bell tower was added about this time. It is a unique belfry set at 45 degrees, which puts less weight on the arches below. Ewen posed the rhetorical question ‘Was the Piel Tower or Gatehouse renovated and tracery windows from the Priory inserted at this time?’
By 1536 at the Dissolution the building was in phase 6. The monks were evicted, and their living accommodation was demolished but the Town Choir was saved by the locals as they were able to prove it was their Parish Church. The main Priory building was left standing but the roof was stripped off it, only leaving the Town Choir roofed. For 80 years the building remained roofless. In about 1620 it was reroofed by the Preston family of Holker and a fancy ceiling was installed. Box pews with balconies above, were constructed in front of a new triple decker pulpit, an organ was built on top of the choir, a gallery for the choir and a font on a platform were all added. A drawing dated 1838 shows all of this was still in existence then but it was dilapidated. Soon after it was decided to renovate and return the interior back to how it was in Medieval times. The plastering over the rubble walls was removed, the plastered ceiling, the box pews and the triple decker pulpit also.
Ewen finished his lecture by telling us about some curiosities in the Priory.
Coat of Arms
Over the Cromwell Door is a wooden panel with the Royal Coat of Arms of Charles 11 painted on it. On 8 September 2022 Queen Elizabeth’s death was announced and the following day King Charles 111 was officially proclaimed King. Ewen was at the Priory that morning leading a tour and as the tour ended in front of the dark, barely visible panel the idea to conserve, refurbish and restore the panel came to him. It was agreed and the work was completed by a restorer recommended by the Bowes Museum at Barnard Castle. The artwork and the date 1681 can clearly be seen now that dirt and old varnish has been expertly removed.
He told us that the panel may have been placed elsewhere originally, maybe on top of the screen so that everyone could see it but when the organ was placed there it would have had to be moved. There is no record about when it was moved. Other old local churches have Royal Coats of Arms panels; Witherslack has a Queen Ann panel; Cartmel Fell an Hanoverian panel; Field Broughton is looking after a panel removed from Flookburgh Chapel and Helsington has one for William 1V.
Hatchments
Above Lord Frederick Cavendish’s marble monument are funeral hatchments from Holker. A diamond shaped lozenge in a black edged frame showing the coat of arms of the deceased each would have been painted, usually on canvas, when a member of the family had died and it would initially have been displayed at Holker over the front door until after the funeral when it would have been removed to the Priory. The custom started in the 17th century.
Carvings and Misericords
The choir stalls erected in about 1450 were intricately carved and escaped with only a little damage during the 80 years after the church roof was removed. The question was posed ‘Were the misericords on the seats protected during the years there was no roof as they show no signs of damage?’ On the screen the Preston Coat of Arms had to be replaced as that had suffered badly during the roofless period. He commented that the bench ends were weathered and that we have no idea why the patterns on the misericords were chosen or who decided on them. He suggested that a unicorn, behind the door, a Scottish symbol, may have been put there by a Scottish carver. The seven deadly sins are represented. Dragons are carved into the arm rests and the legend is that dragons carried Alexander to the edge of the world as he wanted to see it.
The audience had several questions for Ewen before the lecture came to an end.
Pat Rowland
Text and photos.